Communication in the Dramatari Performance of Arja Muani Akah Canging in Bali: An Aesthetic and Educational Exploration

Abstract

This article examines the verbal and nonverbal communication patterns ingrained in the traditional Balinese dramatist Arja Muani Akah Canging. Through interpretive analysis and direct observation, this study uses a qualitative descriptive method to identify important communicative features expressed through vocal modulation, gestures, facial expressions, costume symbolism, and narrative structure. The results show that the performance of Arja Muani Akah Canging exhibits a complex interaction between cultural messaging and performative aesthetics, with nonverbal clues originating from Balinese performative traditions supporting and frequently enhancing verbal conversation. In addition to being artistic mediums, these communication techniques are also means of disseminating social criticism and cultural values. Beyond its cultural value, this study emphasizes how traditional performances can be used as inclusive teaching tools, especially in vocational tourism education, where cultural competency and multimodal communication are crucial.