A Study of the Design of "Fulmala" as Contemporary Jewelry Inspired by Borobudur Temple

Frangky Kurniawan, Zulfi Hendri, Kasiyan Kasiyan

Abstract


This study explores the contemporary jewelry design "Fulmala," inspired by the aesthetics and symbolism of Borobudur Temple. Using an iconographic approach, the research identifies visual elements transformed into the jewelry design, such as the lotus flower crown engraved at the base of Borobudur stupas, lava stone textures, and repetitive patterns reflecting the mandala structure of the temple. Fulmala combines materials such as gold, silver, and lava stone with a composition of gold, rose gold, and black colors to create a dynamic and meaningful design. The design process of Fulmala involves stages such as idea exploration, moodboard creation, sketching, technical detailing, and prototyping, resulting in a final product with high aesthetic and philosophical value. As part of the Lavani collection by Amero Jewellery, Fulmala was showcased at New York Fashion Week 2023 and featured in international events, introducing Indonesian culture to a global audience. This study highlights how cultural heritage can be adapted into contemporary jewelry designs with international appeal.


Keywords


Fulmala; Borobudur; Contemporary Jewelry; Iconography; Cultural Design

Full Text:

PDF

References


A. Waskito, Pendekatan Semantik Rupa Sebagai Metoda Pengembangan Desain Produk Dengan Studi Kasus Produk Mug di Industri Kecil Keramik, p. 5, 2014.

Calasibetta, C. M., Tortora, P. G., & Abling, B. (2003). The Fairchild dictionary of fashion. (No Title).

Haldoko, L. A., Muhammad, R., & Purwoko, A. W. (2014). Karakteristik batu penyusun candi Borobudur. Borobudur, 8(1), 38-47.

Hasanuddin, D. A., Atamtajani, A. S. M., & Azhar, H. (2021). Tanru Ogi Jewelry (eksplorasi Motif & Desain Perhiasan Yang Mengadaptasi Budaya Suku Bugis). eProceedings of Art & Design, 8(5).

Hasanuddin, D. A., Atamtajani, A. S. M., & Azhar, H. (2021). Tanru Ogi Jewelry (eksplorasi Motif & Desain Perhiasan Yang Mengadaptasi Budaya Suku Bugis). eProceedings of Art & Design, 8(5).

I. K. Sidaarsa and I. N. Laba, “Diversikasi bahan dan teknik penciptaan perhiasan sebagai pemenuhan kebutuhan gaya hidup masyarakat di era postmodern,” Mudra Jurnal Seni Budaya, vol. 31, no. 2, pp. 228–233, 2016, doi: https://doi.org/10.31091/mudra.v31i2.33. [

Kandahjaya, H. (1995). The Master Key for Reading Borobudur Symbolism. Jakarta: Kiraniya.

Latif, N. (2014). Perancangan Ornamen" Harini" Melalui Kajian Visual Relief Latitavistara pada Candi Borobudur. Humaniora, 5(2), 1087-1097.

Oehlke, Horst, (1990) In Search of The Semantics of Design Objects, dalam, Semantic Visions in Design, Proceeings from Symposium on Design Research and Semiotics, 17-18.5.1989, Vihma, Susan (editor), University of Industrial Art Helsinki (UIAH), Helsinki.

Panduan Lavani Desain Competition 2023.https://amerojewellery.com/

Roesmanto. (1999). Rinupa Rupa-Arupa Arsitektur Nusantara, In Ngawangun Ki Nusantara, Penerbit Unpar: Bandung.

Sampurno. 1969. Penelitian Tanah Dasar Candi Borobudur. Pelita Borobudur Seri B No. 1. Departemen Pendidikan dan Kebudayaan Republik Indonesia.

Sopandi, S. (2013). Sejarah Arstektur, Sebuah Pengantar, Penerbit Gramedia Pustaka Utama, Jakarta.

Strauss, Anselm. 2003. Dasar-dasar Penelitian Kualitatif, Pustaka Pelajar, Yogyakarta.

Sujarweni, W. (2012). Jejak Candi Kuno Nusantara. Yogyakarta: Diva Press.

Suparta, I. M. (2010). Prinsip seni rupa. Artikel Bulan, 4, 1-2.

T. Frank, The Conquest of Cool : Business Culture, Counterculture, and The Rise of Hip Consumerism. Chicago: University of Chicago Press, 1998.




DOI: http://dx.doi.org/10.18415/ijmmu.v12i1.6500

Refbacks

  • There are currently no refbacks.


Copyright (c) 2025 International Journal of Multicultural and Multireligious Understanding

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

International Journal of Multicultural and Multireligious Understanding (IJMMU) ISSN 2364-5369
https://ijmmu.com
editor@ijmmu.com
dx.doi.org/10.18415/ijmmu
facebook.com/ijmmu
Copyright © 2014-2018 IJMMU. All rights reserved.