Symbolic Form of Puppets in Character Wayang Golek Purwa Sunda

Nandi Apriansah, Aton Rustandi Mulyana

Abstract


Wayang golek purwa Sunda is a sublime art with philosophical aspects. The performance involves many equipment and elements. The elements of wayang golek purwa are all equipment dalang when he’s performing, which in this research is limited to wayang.  This study aims to discuss symbolism's meaning in these elements. To explain it, the semiotic theory from Charles Sanders Peirce was used in this study. The analytical description was used, that is, by analyzing all the data found in the study, then describing it using the scientific theory used and combining it with other literature studies. The study's results expose the meanings of the puppet element of the performance.  It contains correlations with the concepts of Sundanese human living, from birth to death. Accordingly, the performance is just not a spectacle. Based on the resulting study, wayang golek contains educational values closely related to the teachings of humanity in the identity of the Sundanese people. 

 

Keywords: wayang golek purwa, dalang, meanings, symbol 


Keywords


Puppet, Sundanese, West Java, Wayang, Symbol

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References


Berger, Arthur Asa. (2010). Introduction to Semiotics: Signs in Contempered Cultures. Translation of M. Dwi Marianto. Yogyakarta: Tiara Wacana.

Rusdy, Sri Teddy. (2015). Semiotics and Philosophy of Wayang, A Critical Analysis of Wayang Performance. Jakarta: Kertagama Foundation.

Salmun, M.A. (1986). Padalangan 1. Jakarta: Indonesian and Regional Literature Book Publishing Project, Ministry of Education and Culture.

Soepandi, Atik. (1988). Tetekon Padalangan Sunda. Jakarta: Balai Pustaka.

Solichin (2010). Wayang: Masterpiece of National Cultural Art. Jakarta: Sinergi PersadatamaFoundation.

Suryana, Jajang. (2002). WAYANG GOLEK SUNDA; Aesthetic Studies of Golek Figures. Bandung: PT Kiblat Buku Utama.

SOURCE PERSON:

Apep A.S Hudaya, S.Sos., 47 years old, Griya Kuning Asri Complex block D No.4 Ciwastra Margasari, TBuah Batu District, Bandung City, puppeteer puppet master.

Sam Askari Soemadipraja, 69 years old, Jalan Suryalaya VII No. 30 A Bandung City, observer and lover of wayang golek.

Ade Teten Nugraha, S.Sn., 30 years old, Lingk. Palasah Conggeang Sumedang Regency, the puppeteer of wayang golek.

Dr. Lili Suparli, M.Sn., 55 years old, Cileunyi Bandung City, Sundanese interior expert.




DOI: http://dx.doi.org/10.18415/ijmmu.v11i2.5433

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