Udeng Banyuwangi: Culture, Symbolic Meaning and Preservation of Local Cultural Identity
Abstract
The territory of Indonesia that stretches from Sabang to Merauke makes Indonesia famous for its natural wealth and cultural diversity. One of the cultures it has is traditional clothing with its characteristics and distinctiveness. The Osing tribe is a tribe that inhabits part of the Banyuwangi area, where one of the cultures owned is contained in its traditional clothing, namely Banyuwangi udeng. However, many people do not know the meaning contained in Banyuwangi udeng. In addition, the existence of Banyuwangi udeng has not been known by the outside world as a local cultural identity. The results of the discussion showed that the Osing people tend to use practical Banyuwangi udeng . This is the influence of the development of science and technology. The use of Banyuwangi udeng gives symbolic meaning through its shape. Among them are man's life to God, others and nature; gender equality, and strong relationships between people. The existence of udeng Banyuwangi is the result of the hard work of the Osing tribe itself, the people of Banyuwangi, and the government through the culture of wearing udeng in the government, schools, and other activities.
Keywords
Full Text:
PDFReferences
Anoegrajekti, Novi, dkk. (2018). Potensi Budaya Osing dan Industri Budaya Kreatif. Penerbit Ombak.
AS, N. (2020). Pergeseran Budaya Masyarakat Perlak Asan: Studi Kasus tentang Pakaian Adat. Jurnal Adabiya, 20(1), 1. https://doi.org/10.22373/adabiya.v20i1.6775
Bahtiar, S. H., & Soetopo, D. (2018). Budaya Gagas Peri Suku Osing Di Banyuwangi. Pendidikan Budaya Dan Sejarah “Dibalik Revitalisasi Budaya,” 24–34. https://doi.org/10.31227/osf.io
Budiadnya, I. P. (2019). Tri Hita Karana Dan Tat Twam Asi Sebagai Konsep Keharmonisan Dan Kerukunan. Widya Aksara : Jurnal Agama Hindu, 23(2). https://doi.org/10.54714/widyaaksara.v23i2.38
Dharmika. (1988). Pakaian Adat Tradisioanal Daerah Bali. Direktorat Sejarah dan Departemen Pendidikan dan Kebudayaa.
Effendy, R. (2014). Kesetaraan Gender Dalam Pendidikan. Al-Maiyyah, 07(2), 142–165.
Fahad, H. A., & Endrayadi, E. C. (2017). PENGEMBANGAN SEKTOR PARIWISATA DI KABUPATEN BANYUWANGI TAHUN 2002-2013 ( The Development of Tourism Sector in Banyuwangi Regency 2002-2013 ).
Publika Budaya, 5(1), 28–35. https://jurnal.unej.ac.id/index.php/PB/article/view/5982%0Ahttps://jurnal.unej.ac.id/index.php/PB/article/download/5982/4434
Firmanto, T. dkk. (2019). Suku Osing: Perspektif Etnografi, Sosial,Hukum, dan Budaya. Inteligensia Media.
Habibah, S. (2017). Dosen Filsafat pada Fakultas Agama Islam Universitas Islam Darul Ulum Lamongan 166. DAR EL-ILMI : Jurnal Studi Keagamaan, Pendidikan Dan Humaniora, 4(1), 166–180.
Hanafi, H., Hidayah, N., & Mappiare, A. (2018). Adopsi Nilai Budaya Osing Dalam Kerangka Meaning of Life. Jurnal Pendidikan: Teori, Penelitian Dan Pengembangan, 3(9), 1237–1243. https://doi.org/10.17977/jptpp.v3i9.11597
Hendro, eko punto. (2020). Simbol: Arti, Fungsi, dan Implikasi Metodologisnya. Jurnal Ilmiah Kajian Antropologi, 3(2), 158–165. https://ejournal.undip.ac.id/index.php/endogami/article/download/30640/17351
Jember, U., Jember, H., ATL Jember, dan, & Sudarwati, K. (2020). HUMANIORA DAN ERA DISRUPSI E-PROSIDING SEMINAR NASIONAL PEKAN CHAIRIL ANWAR Kerja Sama FIB REPRESENTASI BUDAYA LOKAL “BASANAN USING” DALAM LAGU-LAGU JAZZ PATROL BANYUWANGI: PENDEKATAN CULTURAL STUDIES. Zahratul Umniyyah, L. Dyah Purwita Wardani SWW, 1(1).
Kistanto, N. H. (2017). Tentang Konsep Kebudayaan. Sabda : Jurnal Kajian Kebudayaan, 10(2), 1–11. https://doi.org/10.14710/sabda.v10i2.13248
Liliweri. (2019). Pengantar Studi Kebudayaan. Penerbit Nusa Media.
Mabruri, K., & Prabawati, I. (2019). Implementasi Desa Adat Osing Dalam Mengembangkan Potensi Pariwisata di Desa Kemiren Kecamatan Glagah Kabupaten Banyuwangi. Publika: Jurnal Administrasi Negara, 7(6), 1–7.
Pendahuluan, T. H. (2007). Budaya Jawa dan Kesetaraan Gender. Jurnal Komunikasi Massa, 1(1), 18–24.
Rachmawati, R., Shafa Chairisa HSB, A., & Nurhayati, H. (2021). Mengimplemaentasikan Bentukan Ikatan Udeng Bali Sebagai Inspirasi Koleksi Busana Siap Pakai “Sacred Relation.” Practice of Fashion and Textile Education Journal, 1(1), 30–34. https://doi.org/10.21009/pftj.0101.05
Sangma Mhonyani. (2018). Symbolic meaning of Naga traditional clothing. International Research Journal of Social Sciences, 7(1).
Siregar, E. D., & Wulandari, S. (2020). Kajian Semiotika Charles
Sanderspierce: Relasitrikotomi (Ikon,Indeks dan Simbol) dalam Cerpenanak Mercusuar karya Mashdar Zainal. Titian: Jurnal Ilmu Humaniora, 04(1), 29–41. https://online-journal.unja.ac.id/index.php/titian
Sugianto, A. (2016). Kajian Etnolinguistik Terhadap Pakaian Adat Warok Ponorogo. Aristo, 3(1), 19. https://doi.org/10.24269/ars.v3i1.8
Suherdiana, D. (2015). Konsep Dasar Semiotika dalam Komunikasi Massa menurut Charles Sanders Pierce. Jurnal Ilmu Dakwah, 4(12), 371. https://doi.org/10.15575/jid.v4i12.399
Suradi, A. (2018). Pendidikan Berbasis Multikultural dalam Pelestarian Kebudayaan Lokal Nusantara di Era Globalisasi. Jupiis: Jurnal Pendidikan Ilmu-Ilmu Sosial, 10(1), 77. https://doi.org/10.24114/jupiis.v10i1.8831
Wijaya, P. Y., & Purwanto, S. A. (2017). Studi Rumah Adat Suku Osing Banyuwangi Jawa Timur. Simposium Nasional RAPI XVI, 117–123.
Wirawan, C. H., & Sutami, H. (2022). Kebaya Encim Betawi: Ikon Busana Perempuan Betawi. Fenghuang: Journal of Chinese …, 01(02), 21–38. http://journal.unj.ac.id/unj/index.php/fenghuang/article/view/26807
DOI: http://dx.doi.org/10.18415/ijmmu.v11i1.5312
Refbacks
- There are currently no refbacks.
Copyright (c) 2024 International Journal of Multicultural and Multireligious Understanding
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
https://ijmmu.com
editor@ijmmu.com
facebook.com/ijmmu
Copyright © 2014-2018 IJMMU. All rights reserved.