Representation of Ambivalence and Suggestive Narrative in the Lyrics of the Folk Song "Bale Nagi" (A Critique of Pure Reason)
Abstract
The song "Bale Nagi" is one of the old songs from the East Nusa Tenggara region that is very phenomenal until now. This song was composed by a young student named Berchmans Lisen Djangun from East Flores in 1962 as one of the students of Mataloko Seminary (Catholic Priest Candidate Education Institute) with the interest at that time the song was only as a performance medium for a big celebration event in Flores City. Although, the song was created in such a short period of time, it turns out that this song is based on a true story of the songwriter and has several parts in the lyrics whose meaning seems ambivalent. This research aims to examine the meaning of ambivalence in song lyrics, recognize the content of the type of narrative contained in song lyrics and represent the meaning of the song. Based on the results of the research, it is found that the folk song "Bale Nagi" contains several ambivalent meanings that collide with each other in the lyrical content built by the author and the type of narrative applied by the songwriter is a suggestive narrative and this song as a whole tells the story of a young man's longing for his beloved hometown.
Keywords
Full Text:
PDFReferences
Abror, R., Habiba. (2018). “Pencerahan sebagai Kebebasan Rasio dalam Pemikiran Immanuel Kant”. Jurnal Analisis Filsafat, Agama dan Kemanusiaan. Vol 04, No. 02. Halaman 177-194. https://www.syekhnurjati.ac.id/jurnal/index.php/yaqhzan/article/view/3534/1913.
Amelia, Cevy & Aryaneta, Yenni. (2022). “Pengaruh Musik terhadap Emosi”. Jurnal Ilmiah Zona Psikologi. Vol. 04, No. 03. Halaman 01-06. http://ejurnal.univbatam.ac.id/index.php/zonapsikologi/article/view/986.
Basyar, M., Khoiril. (2022). “Representasi Sufistik dalam Lirik Lagu Kala Cinta Menggoda Karya Crishye Album ke 17”. [Skripsi, Universitas Islam Malang]. http://repository.unisma.ac.id/handle/123456789/4996.
Cahyo, A. N., Manullang, T. A. A., & Isnan, M. (2020). “Analisis Penggunaan Gaya Bahasa Sarkasme pada Lagu Bahaya Komunis Karangan Jason Ranti”. Jurnal Sastra. Vol. 09, No. o1. Halaman 06-22. https://jurnal.unimed.ac.id/2012/index.php/ajs/article/view/18329/13483
Djohan. (2020). Psikologi Musik. Yogyakarta: PT. Kanisius.
Hadiansah, Deni & Rahadian, Lidya. (2021). “Metafora dalam Lirik Lagu Album Wakil Rakyat Karya Iwan Fals: Tilikan Stilistika”. Jurnal Silistik Dimensi Linguistik. Vol. 01, No. 01. Halaman 19-28. https://silistik.ejournal.unri.ac.id/index.php/js/article/view/5/3.
Irwani, Windra., Marzuki & Halidjah, Siti. (2018). “Pengaruh Pendekatan Keterampilan Proses terhadap Keterampilan Menulis Karangan Narasi Sugestif di Sekolah Dasar”. Jurnal Pendidikan dan Pembelajaran Khatulistiwa. Vol. 07, No. 09. Halaman 01-09. https://jurnal.untan.ac.id/index.php/jpdpb/article/view/29016/75676578741.
KBBI. (2016). Kamus Besar Bahasa Indonesia. Badan Pengembangan dan Pembinaan Bahasa. KBBI During. Diakses 17 November, 2022. https://kbbi.kemdikbud.go.id/entri/representasi.
Keraf, Gorys. (2004). Argumentasi dan Narasi. Jakarta: Penerbit PT. Gramedia Pustaka Utama.
Kleden, Ignas. (2004). Sastra Indonesia dalam Enam Pertanyaan. Jakarta: PT. Pustaka Utama Grafiti.
Merriam, A., P. 1964. Antropologi Musik. Terjemahan Bramantyo Triyono. Bagian Ketiga. Yogyakarta: Perpustakaan Institut Seni Indonesia.
Mintargo, Wisnu. (2018). Budaya Musik Indonesia. Yogyakarta: PT. Kanisius.
Nakagawa, Shin. (2000). Musik dan Kosmos Sebuah Pengantar Etnomusikologi. Jakarta: Yayasan Obor Indonesia.
Sebayang, A., J., Irianta. (2021). Musik Programmatik Perjanjian Sinai. Surabaya: Scopindo Media Pustaka.
Siti, S. Azizaty & Idola P. Putri. (2018). “Analisis Narasi Tzvetan Todorov pada Film Sokola Rimba”. Jurnal Kajian Televisi dan Film. Vol. 02, No. 01. Halaman 51-67. https://jurnal.unpad.ac.id/protvf/article/view/12873/9077.
Soedarso, SP. (2006). Trilogi Seni – Penciptaan, Eksistensi dan Kegunaan Seni. Yogyakarta: Badan Penerbit Institut Seni Yogyakarta.
Wasisrosa, W., Nadewa & Aviandy, Mochamad. (2020). “Analisis Wacana Kritis Pengguna Narkoba di Rusia Berdasarkan Representasi Lirik Lagu Iuda Karya Dmitry Kuznetzov”. Jurnal Al-Azhar Indonesia Seri Humaniora. Vol. 05, No. 04. Halaman 198-209. https://jurnal.uai.ac.id/index.php/SH/article/view/406/pdf.
Wellek, Rene & Warren, Austin. (1989). Teori Kesusastraan. Terjemahan Budianta Melani. Cetakan Kelima. Jakarta: PT. Gramedia.
Wibawa, Ginan & Mutaqqin, Rizal. (2021). “Implikasi Filsafat Kritisisme Immanuel Kant bagi Pengembangan Studi Hukum Ekonomi Syariah”. Jurnal Ilmiah Humantech. Vol. 01, No. 01. Halaman 25-36. https://jurnal.arkainstitute.co.id/index.php/cessie/article/view/185.
DOI: http://dx.doi.org/10.18415/ijmmu.v10i7.4986
Refbacks
- There are currently no refbacks.
Copyright (c) 2023 International Journal of Multicultural and Multireligious Understanding
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
https://ijmmu.com
editor@ijmmu.com
facebook.com/ijmmu
Copyright © 2014-2018 IJMMU. All rights reserved.