Visual Perception and Artistic Stage Design: A Cognitive Perspective on Contemporary Indonesian Performing Arts

Syarifah Nur Hajja, Faiqotul Mustabsyiroh, Zanuar Eko Rahayu, Hilmi Khoirul Fikri

Abstract


This study explores the application of Carolyn Bloomer's cognitive theory in analyzing artistic stage design at the 2025 Post-Creation Festival held at the Indonesian Institute of Arts in Surakarta. Bloomer's theory of visual perception is used to understand how visual elements such as stage design, lighting, costumes, and the performance space influence the audience's cognitive and emotional experiences. The research uses a descriptive qualitative approach, gathering data through direct observation, interviews, and visual documentation. The results show that artistic design serves not only as an aesthetic element but also as a form of visual communication that stimulates perception and meaning. From a cognitive perspective, each visual element activates mental processes such as attention, association, and symbolic interpretation, thereby connecting visual experiences to meaningful awareness. Through conceptually designed artistic staging, the 2025 Post-Creation Festival becomes a space for dialogue between artists and audiences, where visual perception develops into a reflective and meaningful aesthetic experience.

Keywords


Cognitive Theory, Visual Perception, Artistic Design, Post-Creation Festival, Carolyn Bloomer

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DOI: http://dx.doi.org/10.18415/ijmmu.v12i11.7199

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