Semiotic Interpretation of Emotional Expression in Giacomo Puccini's “O Mio Babbino Caro”

Abstract

This article explores the meaning of melody through semiotics interpretation of the emotional expression of Giacomo Puccini's song “O Mio Babbino Caro” in the context of romantic classical music. Using basic semiotics concepts, the analysis focuses on the symbols and signs found in romantic classical music, namely how composers use musical symbols to convey emotions. The application of semiotics to romantic classical music is discussed using an analytical method that covers musical symbols, the role of musicians in conveying emotions, and comparisons between composers' styles. This article explores how the meaning of a note can be interpreted more deeply. The discussion also involves the relevance of semiotics in the context of classical and romantic music, which presents challenges and opportunities in applying these concepts to contemporary music genres. The conclusion summarizes the key findings and the importance of emphasizing semiotics in understanding the meaning and expression of romantic classical songs and the potential to enrich musical interpretation more broadly. This article invites readers to reflect on how semiotics can enrich the experience of romantic classical music and to understand the emotionality in romantic classical music works.