Reog Kendang Tulungagung Art as an Idea for Creating Batik Sarongs Enhanced with Augmented Reality and QR Code
Abstract
The Reog Kendang Tulungagung art form has received little attention in its development and is not widely known by the public, especially outside Tulungagung Regency. Reog Kendang Tulungagung is a type of dance art in which the dancers also play the kendang musical instrument they carry. The unique visual objects in Reog Kendang art inspire the author to create motifs for technologically enhanced batik sarongs. This aims to attract public interest in batik sarong products that can be used by both men and women. This creation aims to promote Reog Kendang Tulungagung by utilizing technologically enhanced batik sarongs, specifically through Augmented Reality and QR code technology, via motif design and the application of technology to the batik sarongs. The method in this research refers to Hawkins' approach, which includes the stages of exploration, improvisation, and realization. The result of this creation is a batik sarong titled Reog Kendang Berseri, which is equipped with Augmented Reality and QR code technology. This work can serve as a reference and enrich the distinctive motifs of Tulungagung batik while contributing to the preservation of local art through batik sarongs.
Keywords
Full Text:
PDFReferences
Abdillah, M., Widodo, A. A., & Hariyanto, R. (2020). Penerapan Augmented Reality Pada Aplikasi Katalog Penjualan Sablon Baju Berbasis Android. Seminar Nasional Teknologi Informasi Dan Komunikasi STI&K (SeNTIK), 4(1), 217–221.
Abdullah, F., Widiastuti, T., Sobandi, B., & Wardoyo, B. T. (2020). Krustasea Arafura sebagai Ide Penciptaan Batik. Dinamika Kerajinan Dan Batik: Majalah Ilmiah, 37(2), 119. https://doi.org/10.22322/dkb.v37i2.5948
Afandi, H. A. (2019). Sanggar seni reyog kendang dhodhog sadjiwo djati di Desa Gendingan Kecamatan Kedungwaru Kabupaten Tulungagung Tahun 1984-2009.
Aziz, A. N., Ratnawati, I., & Sidyawati, L. (2023). KESENIAN JARAN BODHAG PROBOLINGGO SEBAGAI SUMBER INSPIRASI PENCIPTAAN MOTIF BATIK TULIS PADA OUTERWEAR SEMI-FORMAL. Dinamika Kerajinan Dan Batik: Majalah Ilmiah, 40(1), 37–52.
Hesawati, V. A., & Susilo, Y. (2021). Makna Simbolik Tari Reyog Kendhang di Desa Gendingan Kecamatan Kedungwaru Kabupaten Tulungagung Kajian Folklor. JOB (Jurnal Online Baradha), 17(4), 1584–1607.
Karomah, I., Ratnawati, I., & Anggriani, S. D. (2022). Legenda Asal Mula Reog Kendang Tulungagung Sebagai Ide Penciptaan Batik Lukis Pada Selendang. JoLLA: Journal of Language, Literature, and Arts, 2(11), 1639–1656.
Kudiya, K. (2019). Kreativitas Dalam Desain Batik. Bandung: ITB Press.
Nurmaning, B. A. (2022). Pelestarian Nilai Kearifan Lokal Melalui Kesenian Reog Kendang Di Tulungagung. Jurnal Pendidikan Sosiologi Dan Humaniora, 13(2), 635–642.
Ponimin, P. (2021). Diversification of ceramic craft for tourism souvenir: local culture as art creation and production idea. International Journal of Visual and Performing Arts, 3(1), 33–42.
Rhomadhona, H. (2018). Penerapan Teknologi QR Code Berbasis Web untuk Absensi Pegawai pada BKPSDM Kabupaten Tanah Laut. Jurnal Humaniora Teknologi, 4(1).
Risqika, I. N. (2021). Pengaruh Kearifan Lokal Terhadap Nilai-Nilai Moral Melalui Kesenian Reog Kendang Terhadap Pelajar di Kabupaten Tulungagung. Preprint]. Open Science Framework. Https://Doi. Org/10.31219/Osf. Io/Wy7xm.
Rosandini, M., Oetari, J., & Sari, N. (2022). Pengembangan Motif Kembang Turi Dan Koi Untuk Inovasi Batik Di Kelurahan Turi Kota Blitar. Dinamika Kerajinan Dan Batik: Majalah Ilmiah, 39 (1), 11–24.
Sachari, A. (1989). Estetika Terapan. Bandung: Nova, 20.
Shanti, U. A. (2017). Kesenian Reog Kendang Tulungagung sebagai Inspirasi Pengembangan Motif Batik di Kabupaten Tulungagung. Seminar Nasional Seni Dan Desain 2017, 196–202.
Soedarsono, R. (2001). Metode Penelitian Seni Pertunjukan dan Seni Rupa. Bandung: MSPI (Masyarakat Seni Pertunjukan Indonesia).
Sugiarto, T. (2021). Makna material culture dalam “Sarung” sebagai identitas santri. El Madani: Jurnal Dakwah Dan Komunikasi Islam, 2(01), 77–100.
Sunarto, B. (2010). Epistemologi Karawitan Kontemporer Aloysius
Suwardi. Disertasi. Universitas Gadjah Mada Yogyakarta.
Supriono, P. (2016). Ensiklopedia The Heritage Of Batik. Yogyakarta: CV Andi Offset.
Widodo, T., & Ponimin. (2017). Desain Produk Batik Sentra Prigen Lereng Gunung Welirang Artistik Dan Berkarakter. Journal of Art, Design, Art Education And Culture Studies (JADECS), 2(2), 63–73. http://journal2.um.ac.id/index.php/dart/article/view/2184/1286
DOI: http://dx.doi.org/10.18415/ijmmu.v11i12.6335
Refbacks
- There are currently no refbacks.
Copyright (c) 2024 International Journal of Multicultural and Multireligious Understanding
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
https://ijmmu.com
editor@ijmmu.com
facebook.com/ijmmu
Copyright © 2014-2018 IJMMU. All rights reserved.