Functional Analysis of Jaran Kepang Art as Cultural Heritage in Muncar Krajan Hamlet, Temanggung Regency

Abstract

Jaran Kepang Kridho Saloko is a traditional art form that grows and develops in Muncar Krajan Hamlet, Gemawang District, Temanggung Regency. The aim of this research is to explore the function of the Jaran Kepang art in Muncar Krajan Hamlet, which has its own unique characteristics and serves as a means of transmitting traditional values. The research method used is qualitative with a descriptive approach, utilizing Emile Durkheim's structural functionalism theory. Data collection involved observation, interviews, and documentation. This research seeks to explain the relationship between function, structure, and community relations in the context of the Jaran Kepang Kridho Saloko art. The research findings highlight three main aspects: structure, function, and social needs/social cohesion. Firstly, the structure of Jaran Kepang Kridho Saloko art includes several interconnected components: 1) Performance, 2) Music or Karawitan, 3) Costumes and make-up, 4) Ritual, 5) Role and function of each part, and 6) Value and Meaning. Secondly, the function of Jaran Kepang Kridho Saloko art can be categorized into three areas: 1) Cultural Function, 2) Economic Function, and 3) Educational Function. Finally, the art fulfills social needs by promoting integration and social interaction within the community. In conclusion, the performing arts play a significant role in fulfilling the social needs and ensuring the social stability of the community by fostering gatherings, socializing, and strengthening the bonds of brotherhood to create a harmonious atmosphere.