Preservation of Jogja Batik Which Is Influenced by Naturalist Motifs

Rensi Yustika Pawestri, Kasiyan Kasiyan

Abstract


Jogja batik is an important part of Indonesia's cultural heritage which has high historical, artistic and cultural value. The focus of this article is the preservation of Jogja batik by adopting an art sociology approach to understand the interaction between art, culture and society in this context. Jogja batik conservation involves various stakeholders, including artists, craftsmen, cultural institutions, government and the community. This article identifies several key aspects in conservation efforts, including the central role of arts actors in maintaining traditions and promoting innovation, community involvement through education and cultural awareness, as well as cooperation between arts actors, cultural institutions and the private sector to expand the market and promotion of Jogja batik. The people of Jogja also prefer original batik motifs to motifs that have been deformed. For the people of Jogja, naturalist forms are more attractive, clear and easy to understand regarding the motifs used. The importance of education in understanding the cultural values contained in batik and developing innovation in design and batik production are also highlighted in this research. The sociology of art approach provides deep insight into how Jogja batik conservation is not only about preserving works of art, but also about maintaining cultural identity and encouraging active community participation in caring for this cultural heritage. Thus, preserving Jogja batik is not only the responsibility of artists, but also the entire community and stakeholders who are committed to maintaining the sustainability of this valuable tradition in an ever-changing era.


Keywords


Jogja Batik, Batik Preservation, Motifs

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DOI: http://dx.doi.org/10.18415/ijmmu.v12i11.5372

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