Some Comments Concerning Navoi’s “Sakinama”

Maksud Asadov

Abstract


This article discusses the poetic features of the great thinker Alisher Navoi's book, in particular, the content of the poetic text of the art used in the book, the position of the great poet in revealing the worldview and characteristic aspects of his artistic skills.


Keywords


Sakinama; Bowl; Boda; Talmeh; Baroati Istiglal

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References


Alisher Navoi. A complete collection of works. Ten volumes. Volume IV. - Tashkent: NMIU named after Gafur Gulom, 2011. p 840.

Ataullah Huseyniy. Badayio-s-Sanayi. Tashkent: Adabiyot va san’at, 1981. p 398.

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Komilov N. Mysticism. - Tashkent: Movarounnakhr-Uzbekistan, 2009. p 445.

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Uludag S. Silence of Sufi terms. Istanbul, 1995. s 604.

Fakhri Hiravi. Revzet us-Salatin. Javahir ul-ajoyib. Tashkent: Mumtoz so’z, 2014. p 124.

Hussein Preacher Kashifiy. Futuvvetnamei Sultaniy or jevanmardlik sect. (transl.), N. Komilov). Tashkent: Khalk merosi, 1994. p 314.




DOI: http://dx.doi.org/10.18415/ijmmu.v9i1.3374

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