Commodification Forms of the Tenganan Gringsing Double Ikat Woven Cloth at Karangasem Bali in the Globalization Era
Abstract
The development of tourism in Bali, especially in Tenganan Village, Karangasem, has caused the double ikat gringsing woven cloth which was previously used as a means of complementing ceremonies, wrapping sacred objects, and as traditional clothing of the Tenganan Pegringsingan community, now seems to be experiencing a shift. Internal factors and external factors the stronger influence on the Tenganan community, especially the gringsing double ikat weavers. This study aims to understand the form of commodification of double ikat gringsing woven fabrics in Tenganan, Karangasem in the era of globalization. Data obtained through interviews, observation, and document study. The data analysis applied descriptive analytical approach, namely data reduction, data presentation, verification, and data interpretation. The study revealed that the forms of commodification of the Tenganan gringsing double ikat woven cloth, Karangasem are the commodification of production, distribution and consumption. Production commodification consists of process commodification and form of commodification. Process commodification occurs from cotton supply, cotton processing, spinning, and dyeing. While the process of forming motifs and weaving are still the same. The commodification of shape is related to the new motif of modified gringsing cloth, which has, in ten new motifs, such as patola motif, cakra motif, temple motif, yudha motif, padma motif, padma sari motif, pitara motif, lanang motif, ombo jero luh motif and ombo jero gede motif. Distribution commodification is commodification of place and type of distribution of Tenganan gringsing double ikat cloth. Commodification of place, in addition to direct distribution at the outlets of production, distribution is also carried out outside the area of the production outlets, such as art shops, websites, Facebook, Instagram, salons, shops and markets. Finally, consumption commodification includes commodification of the Tenganan gringsing double ikat woven cloth in the context of culture, tourism and fashion.
Keywords
Full Text:
PDFReferences
Agus, Sachari. (2002). Estetika, Makna, Simbol, dan Daya. Bandung:ITB.
Arina Monika, Y. (2019). Wilwatikta's Discourse on Kakawin Nagarakretagama as Khitah Nusantara.
Aryandari, C. (2010). “Gringsing” Aesthetics-Myth Rite of Pandan War. Recital: Journal of Performing Arts, 11(2).
Barker, Cris. (2000). Cultural Studies:Theory and Practice. London: Sage Publications.
Denzin, Norman, et al. (2009). Qualitative Research. Yogyakarta: Student Library.
Griffin, R. W., & Ebert, R. J. (2006). Bisnis. Jakarta: Erlangga.
Juwono, BC, Bangsa, PG, & Malkizedek, MH (2018). Visual Journal Design Regarding Tenganan Pegringsingan Traditional Village. Journal of DKV Adiwarna, 1(12), 9.
Kade, I. A., Sukmadewi, S., & Erg, M. (2013). Deskripsi KOMODIFIKASI KAIN “GRINGSING” TENGANAN DALAM DESAIN FASHION SEBAGAI UPAYA PENGEMBANGAN INDUSTRI BUDAYA.
Keputusan Bupati Karangasem Nomor 658/HK/2014 Tentang Penetapan Desa Wisata di Kabupaten Karangasem
Lodra, IN (2016). Commodification of the Meaning of Gringsing Weaving as “Soft Power” in Facing Global Culture. Journal of Balinese Studies, 6(1), 211-222.
Maunati, Yekti. 2004. Identitas Dayak, Komodifikasi dan Politik Kebudayaan. Yogyakarta: LKIS.
Nandaryani, NW (2018, November). AESTHETIC OF SCORPION SHAPE IN GRINGSING FABRIC LUBENG MOTIF IN TENGANAN VILLAGE, BALI. In SENADA (National Seminar on Design and Architecture) (Vol. 1, pp. 190-195).
Parimartha, I Gede (dkk) (2009). Identifikasi dan Inventarisasi Kain GringsingTenganan Karangasem Bali. Denpasar: Dinas Kebudayaan Propensi Bali
Piliang, Yasraf Amir. (1999). Dunia Yang Dilipat. Bandung: Mizan.
Piliang, Yasraf Amir. (2003). Hipersemiotika Tafsir Cultural Studies Atas Matinya Makna. Yogyakarta: Jalasutra.
Piliang, Yasraf Amir. (2004). Dia yang dilipat: Tamasya Melampaui Batas-Batas Kebudayaan. Bandung: Jalasutra.
Piliang, Yasraf Amir. (2006). Transpolitika: Dinamika Politik Di Dalam Era Virtualitas. Yogyakarta: Jalasutra.
Piliang, Yasraf Amir. (2010). Semiotika dan Hipersemiotika. Gaya, Kode, dan Matinya Makna. Edisi keempat. Bandung: Matahari.
Piliang, Yasraf Amir. (2015). The Strategic Role of Art and Culture in Building Creative Cities. Malang: State University of Malang.
Ritzer, George & Barry Smart. (2001). Teori Sosiologi. Jakarta: Nusa Media.
Sakakibara, Shigemi.2013. "Traditional Gringsing Fabric in Tenganan Pegeringsingan Traditional Village, Bali", Thesis. Denpasar: Art Creation and Study Program Postgraduate Program at the Indonesian Institute of the Arts Denpasar.
Sudikan, Yuwana, Setya. (2013). Local Cultural Wisdom. East Java: Damar Ilmu.
Sugiyono. (2009). Memahami Penelitian Kualitatif. Bandung. Penerbit CV. Alfabeta.
Sumarjo, S. (2018). The Existence of Awig-Awig in Maintaining the Harmonization of the Traditional Village of Tenganan Pegringsingan, Karangasem Regency, Bali. Habitus: Journal of Education, Sociology, & Anthropology, 2(1), 27-39.
Sutarto, Ayu. 2015. Culture as “Soft Power” to Support Creative City Development. Malang: State University of Malang.
DOI: http://dx.doi.org/10.18415/ijmmu.v8i11.3168
Refbacks
- There are currently no refbacks.
Copyright (c) 2021 International Journal of Multicultural and Multireligious Understanding
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
https://ijmmu.com
editor@ijmmu.com
facebook.com/ijmmu
Copyright © 2014-2018 IJMMU. All rights reserved.