Increasing Awareness of the Scene on Indonesian Independent Music (Study of Media Convergence and Do It Yourself by Subnoise Music Collective)

Rizky Ramandhika Putra, Irwansyah Irwansyah

Abstract


Music collective has a significant role in the music scene. Activities, lives, and continuity of music scene, all depends on music collective that include listeners and musician as their member. For spreading the knowledge on the music scene in the area of the music collective, raising an awareness must be done. In this paper, the authors used a music collective named Subnoise as an example, based in Bekasi, West Java. The similarity of the thoughts and tastes of the members became the initial milestone in the establishment of Subnoise. Subnoise uses awareness-raising methods such as posting on their social media like Twitter, Instagram, Facebook, and they also use their channels on Youtube to spread awareness of the independent scene that they shelter. In addition, they held a music performance that was held in the garage of one of their member house, which was reported by several music media and finally raised their names in the Indonesian independent music scene.


Keywords


Music Collective; Brand Awareness; Do It Yourself; Independent Music Scens; Social Media

Full Text:

PDF

References


Alfarisi, L. (2018). Konvergensi Pers Mahasiswa: studi kasus konvergensi media di Lembaga Pers Mahasiswa Solidaritas dan Lembaga Pers Mahasiswa Ara Aita Universitas Islam Negeri Sunan Ampel Surabaya (Doctoral dissertation, UIN Sunan Ampel Surabaya).

Asy'ari, N. A. S., & Luthfi, M. (2019). ANALYSIS OF THE APPLICATION OF MEDIA CONVERGENCE IN RADIO BROADCASTING BUSINESSES IN PONOROGO. Perspektif Komunikasi: Jurnal Ilmu Komunikasi Politik dan Komunikasi Bisnis, 2(1).

Brooks, S. (2015). Does personal social media usage affect efficiency and well-being?. Computers in Human Behavior, 46, 26-37.

Gretchen B. Rossman dan Sharon F. Rallis. (2012). Learning in the Field: An Introduction to Qualitative Research Third Edition. California: Sage Publication.

Hendariningrum, R., & Susilo, M. E. (2014). Fashion dan gaya hidup: identitas dan komunikasi. Jurnal Ilmu Komunikasi, 6(1).

Jones, Michael L. (2012). The Music Industries: From Conception to Consumption. New York: Palgrave Macmillan

Martin-Iverson, Sean Ryan. (2011). “the politics of cultural production in the DIY hardcore scene in Bandung, Indonesia. Disertasi, Perth: University of Western Australia.

Moran, Ian P. (2010). "Punk: The Do-It-Yourself Subculture," Social Sciences Journal: Vol. 10, Iss. 1, Article 13.

Mulyadi, M. (2009). Industri musik Indonesia: suatu sejarah. Koperasi Ilmu Pengetahuan Sosial.

Sediyaningsih, S. (2018). Konvergensi media di era digital (eksploitasi media komunikasi dalam proses belajar mengajar di era digital). Jurnal Pendidikan Terbuka Dan Jarak Jauh, 19(1), 52-57.

Septianti, D., & Frastuti, M. (2019). Pengaruh Penggunaan Media Berbasis Internet, Motivasi Intrinsik dan Motivasi Ekstrinsik Terhadap Minat Berwirausaha Online Mahasiswa Universitas Tridinanti Palembang. Jurnal Ilmiah Ekonomi Global Masa Kini, 10(2), 130-138.

Rahardiyan, E. (2013). Pemanfaatan internet dan dampaknya pada pelajar sekolah menengah atas di Surabaya. dalam http://journal. unair. ac. id/filerPDF/ln5ba2011865full. pdf (diakses 15 Pebruari 2018).

Rochmawati, W. (2012). Perilaku Pemanfaatan Internet (Internet Utilization of Behavior) (Studi Deskriptif tentang Pemanfaatan Internet untuk Kepentingan Hiburan dan Akademik di Kalangan Anak-anak di Kota Surabaya). Jurnal Libri-Net, 1(1), 12.

Website

Kominfo. (2014, 11 September). Pengguna Internet Indonesia Nomor Enam Dunia. https://kominfo.go.id/content/detail/4286/pengguna-internet-indonesia-nomor-enam-dunia/0/sorotan_media.

Adzani, Fadli. (2018, 3 Juli). Bikin Gigs di Rumah Nan Meriah Ala Kolektif Subn0ise. https://hai.grid.id/read/07892064/bikin-gigs-di-rumah-nan-meriah-ala-kolektif-Subnoise?page=3

Ladouceur, Liisa. (2004, Desember). Collective Souls. http://www.thismagazine.ca/issues/ 2004/11/collectivesouls.php.




DOI: http://dx.doi.org/10.18415/ijmmu.v7i11.2292

Refbacks

  • There are currently no refbacks.


Copyright (c) 2020 International Journal of Multicultural and Multireligious Understanding

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

International Journal of Multicultural and Multireligious Understanding (IJMMU) ISSN 2364-5369
https://ijmmu.com
editor@ijmmu.com
dx.doi.org/10.18415/ijmmu
facebook.com/ijmmu
Copyright © 2014-2018 IJMMU. All rights reserved.