Diologue and Monologue in Roman Poetics

Olimjon Ismailovich Duysenbaev, Hotamjon Khamroevich Abdullaev

Abstract


The article focuses on the novel “A Thousand and One Faces” by Uzbek writer Omon Mukhtor and analyzes the psychological function of dialogues and monologues in the plot of the novel.


Keywords


Novel; Author's Speech; Character's Speech; Language of Fiction; Dialogue; Monologue; Monologue-Memory; Monologue-Comment

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References


Kushjanov M. (1965) Oybek's skill. – Tashken. – P. 5 (Qo’shjonov M. Oybek mahorati. Toshkent, 1965, 5-bet.)

Boboev T. (2002) Fundamentals of Literary Criticism. – Tashkent. - P. 175 (Boboev T. Adabiyotshunoslik asoslari. Toshkent. 2002, 175-bet.)

Umurov H. (2002) Theory of Literature. “Sharq”. Tashkent. - P. 155 (Umurov H. Adabiyot nazariyasi. “Sharq”. Toshkent, 2002-yil, 155-bet)

Omon Mukhtor. (2000) The Four Sides Qibla Trilogy. – Tashkent. (Omon Muxtor. “To’rt tomon qibla” trilogiya. Toshkent, 2000.)




DOI: http://dx.doi.org/10.18415/ijmmu.v8i4.2580

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